A Midsummer Night's Dream — ensemble in pink factory uniforms on the Dream Corporation stage
On-site photograph

Theatre / Performance · Immersive Experience

A Midsummer Night's Dream

Shakespeare's classic re-imagined as a 'Dream Corporation' — a futuristic factory where subconsciousness is manufactured and magic is a system glitch.

Year

2024

Format

Immersive theatre — 110-minute production

Location / Institution

Space 1959, Seoul, South Korea

Role

Director & Composer

Collaborators

Cast and crew of 50+

Best Directing Award

Recognition

1,000+ (sold out)

Audience

50+

Cast & crew

Production still — aerial hoop scene
On-site photograph
Production still — the four lovers
On-site photograph
Production still — ensemble scene
On-site photograph

Concept

In this reimagined realm, dreams are a manufactured service: laborers construct custom dreams from human memories under founding co-CEOs Oberon and Titania. When real-world youths enter the fabricated forest during sleep, their complicated romantic entanglements collide with corporate power struggles and the magical chaos orchestrated by Oberon's servant, Puck.

Experience Design

Audience flow, sightlines, and musical transitions were composed as carefully as the mise-en-scène — the theatre itself became the factory floor of the Dream Corporation, with spectators as visitors inside the dream-manufacturing world.

Technology / Medium

Traditional stage magic was replaced with 'system glitches' and AI-generated imagery: the fairies' interventions visualized as algorithmic manipulation. Original music composition and direction throughout.

Process

Textual adaptation and dramaturgical restructuring, original composition, AI visual development, spatial staging, and leadership of a 50+ person production.

Outcome

Best Directing Award (Chung-Ang University Performing Arts Festival, 2024). A fully sold-out run with an audience of over 1,000.

Reflection

Everything I build now descends from this rehearsal room. Replacing magic with system logic was the hinge of my practice: from stage to system, the director becomes an architect of worlds.

Credits

Directed and composed by Hayeon Shim. Space 1959, 2024. Full cast and creative team credits available on request.

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immersive theatredream corporationsystem glitchesAI-generated imageryadaptationdramaturgy